| Kico Gonzalez-Risso photo by Angelina L. Cantada Photography |
Describe yourself in three words.
A practical optimist.
What inspired you to write supernatural noir?
A love of mystery, bygone eras and ghosts.
How long has the process taken?
Just over two years - at last count.
Highs and lows so far for you writing/putting this show together
Working with a talented group of artists - starting with my composer: that's a high. Hearing the score is a thrill. Fighting for support for the arts in this province: that's a low. We're governed by an ignorant group whose policies are detrimental to a healthy society. No wonder so many B.C. artists wind up going to Toronto and elsewhere.
Now, it's near the end of the run, how do think the show went?
I'm very pleased with the production; Cam (the composer) and I set out to create a different style of opera or music theatre and I think we've done that. Audience feedback has been terrific, but I'm disappointed by the lack of coverage by our media. SUPERNATURAL NOIR is the most innovative musical event in town, yet todate the mainstream press has virtually ignored it. (apart from CBC, Burnaby Now, Westender, and Georgia Straight)
What are you going to do after November 5th?
Begin writing the next libretto. And rake leaves.
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He has had his work broadcast on radio, including C.B.C.ʼs West Coast Performance and SATURDAY AFTERNOON AT THE OPERA. Kicoʼs monodrama for harpist Rita Costanzi premiered at Music Fest Vancouver and recently played in New York. He also wrote the chamber opera La Señorita Mundo with Chinese Canadian composer Njo Kong Kie for Torontoʼs Summerworks Festival. Kicoʼs texts for choral pieces have been performed by musica intima, the Vancouver Bach Choir, Vancouver Chamber Choir, Turning Point Ensemble and the Vancouver Cantata Singers, among others.
A published playwright, director and librettist, Kico has had his work produced at various theatres, including The Arts Club, Waterfront Theatre, Richmond Gateway Theatre, Calgaryʼs Lunchbox Theatre, Alberta Theatre Projects, Calgary Opera Association, Lancaster Opera, The Cleveland Institute of Music, NYUʼs Black Box Theater, Heartland Opera Theater and the Maryland Arts Festival. Among his professionally produced plays are the musical GHOSTS IN LOVE, WONDERVILLE, SLEEPWALKER, INSPECTOR SLYʼS SECOND-TO-LAST CASE, ART ATTACK, PHONING IT IN (for CBC Radio Drama), INQUISITION, THE FOREPLAY and VOODOO.
He has had his work broadcast on radio, including C.B.C.ʼs West Coast Performance and SATURDAY AFTERNOON AT THE OPERA. Kicoʼs monodrama for harpist Rita Costanzi premiered at Music Fest Vancouver and recently played in New York. He also wrote the chamber opera La Señorita Mundo with Chinese Canadian composer Njo Kong Kie for Torontoʼs Summerworks Festival. Kicoʼs texts for choral pieces have been performed by musica intima, the Vancouver Bach Choir, Vancouver Chamber Choir, Turning Point Ensemble and the Vancouver Cantata Singers, among others.
Kicoʼs latest collaboration with Cameron Wilson is a new choral piece which will be premiered by the Vancouver Bach Choir this December.







